Select Publications, 2020/2024

Thank you to all the editors who have published my work:
 
The Manhattan Review, forthcoming, November 2024, "Small Talk," "Small Potatoes," "The Apogee of Pencils." 
 
Tar River Poetry, forthcoming, Autumn 2024, "Students," "Considering the Homonyms Prey and Pray."

Pembroke Magazine, forthcoming, 2024, "On the Nature of Art."
 
 
 
 
Chiron Review, forthcoming, Fall 2024, "I Didn't Ask For This," "Two Thousand Years." 

The Antigonish Review, Issue 214, 2024, forthcoming, "Dominion"
 
The Worcester Review, forthcoming, Volume 45, Fall 2024, "The Most Precious Noun in the Universe."
 
 
 
ROOM Magazine, forthcoming, 2024, "The Poem that Beats All Wars, Defeats All Enemies, Annihilates Annihilation."
 
EVENT Magazine, Issue 52/3, 2024, "Escaping the News," "The Fires."
 
 
 

SuperPresent: A Magazine of the Arts, Vol 4, No 1, Winter 2024, "Body," and photographs, "The Wheel," "The Way."
 

 
The Prairie Journal of Canadian Literature, "White Pine," "Winter," "Sway," "The Voice," "4 P.M."
 
Triggerfish Critical Review, Winter 2023/2024, Issue 31, "Portrait of a Future Grief," "In Defiance of the Diagnosis," "Footnotes for the Frost Moon." 
 
 
Potomac Review, Issue 73, Autumn 2023, "Becoming the Silence of Foxes."

North Dakota Quarterly, Volume 90, 2023, "Wanting to Call this Poem Clerestory, I Settle on Collateral Damage," "Late April," "Shinrin-Yoku, January." 
 
 
Riddle Fence, Issue 49, Autumn 2023, "Still Life with Six Persimmons."

 
West Trade Review, Summer 2023, "The Last Blue Heron." (Audio.)
 

Twelve Mile Review, 2023, "Canadian Giverny," "Beatrice, in June," "Field Notes from November."
 
Red Tree Review, 2023, Issue Three, "Pause," "A Great Humming."

The Jet Fuel Review, Issue 25, Spring, 2023, "Doppelgänger," "Recipe."
 
On the Seawall, May 2023, "Things I Forgot to Tell You."

Verse Daily, April 15, 2023, "Orphaned Rabbits."
 
B O D Y, Spring 2023, "Distance," "Going Back."
 
 
The Honest Ulsterman, Winter 2023,  "Delivering a Birthday Cake to My Daughter in a Distant City, I Listen to Thomas Quasthoff Perform 'Der Leiermann' from Winterreise."
 
 
 
The Shore, Issue 16, Fall 2022, "Theme and Variation."
 
Tar River Poetry, Fall 2022, "The Bow and the Quill Pig."  
 
december magazine, Vol. 33.2, Fall 2022, "Temperance Valley," "This Moment is Not for Sale." 
 
Aji, Issue 17, Fall 2022, "In a Clearing."  
 

The Hamilton Stone Review, Fall 2022, "Midnight Solved as Snow."
 
Slant: A Journal of Poetry, November 2022, "A Journey of Pleasure and Peril."
 
The Lakeshore Review, Fall 2022, "Providence Bay, Driftwood."

 
One, October 2022, Issue 27, "The Arrival of a Train (at La Ciotat Station), A Documentary, 1896, The Lumière Brothers."
 
 
On the Storm/In the Struggle, League of Canadian Poet's Chapbook, Summer 2022, "Canadian Gothic." 

Poetry Pause, League of Canadian Poet's, "Three Seconds in Winter" (previously published with Columba).
 
The Dalhousie Review, Summer 2022, Issue 102.1, "Some of My Best Friends Are Armchairs or Icons." 


Plainsongs, July 2022, "Spring Melt."
 
Roanoke Review, July 2022, "Touching Angels."
 
 

 
 

The Emerson Review, Issue 51, April 2022, "She Prepares Her Body for the Earth."
 
 
 
Mason Street Review, March 2022, "My Sister Wears Five Gold Barrettes and Smells of Mint and Cigarette Smoke."
 
The Honest Ulsterman, February 2022, "Escaping into Glenn Gould."
 
Innisfree, 34, Spring 2022, "The Beginning of Winter." 
 
 
 
Triggerfish Critical Review, Issue 27, Winter 2022, "Clair de Lune," "Boy Impastoed," "Defense Against the Dark Arts."  
 
The South Carolina Review, Fall 2021, "Rakes, Kickstands, Freckles," "New Moon, Halfway to Winter Solstice."
 
 

 
The Inflectionist Review, Issue 13, 2021, "What if the soul indeed is outside the body."
 
Contemporary Verse 2, Volume 44, No.2, Fall 2021, "Scribbling on the Underside of an Eyelid," "Resurrection, A Story."
 
The Wild Word, Fall 2021, "[poem whispered to the loved one]" 
 
 
Night Picnic Press, Volume 4, Issue 3, October 2021, "Solace," "A Crack on Void," "Raze." 
 
 
 
 
The /tƐmz/ Review, Issue 16, Summer 2021, "Wanting to Own a Painting is like Wanting Love to Cure You or Using Paper Money to Staunch a Wound," "Blueweed,"  "Saffron," "Zaffre."

You Are a Flower Growing off the Side of a Cliff, chapbook,  from League of Canadian Poets, 2021, "So Much Depends Upon."
 
The Shore, Issue Ten, Summer 2021, "There Will Be Time Enough Otherwise for Salaciousness and Ruin."

Dunes Review, Spring 2021, "Field Guide," "Certainty."
 
 
 
Reliquiae, 9.1, 2021, "Corm of Cyclamen," "Exigent, This:That," "In the Presence Of."
 
 
Berfrois, Spring 2021, "The Brickworks," "The Crystal Chrysanthemum." 
 
Columba, Issue 7, Spring 2021, "Three Seconds in Winter." 

 
 
Juniper, Volume 4, Issue 2, Fall 2020, "Three Days Past the Summer Solstice, I Think of Your Loneliness," "Fifty," and "A Little Warmth." 
 
The Prairie Journal of Canadian Literature, Fall 2020, "The Fluency of Cattle," "Preserves," "Knowing the Difference," and "Flight," in their print edition, and online, "Living."
Praise for At Home with Disquiet: Brian Brett, "Erin Wilson’s collection has the range that a dynamic assortment of poems demands in this era. At Home With Disquiet flows like a northern river through the woods and the canyons and homes along the riverbank, its poems like stories, its poems like chants. This is one of the most powerful gathering of poems I’ve read in years..." Roger Mitchell, "Compelling, urgent, lean, Erin Wilson's poems read as though Emily Dickinson's secret love child ran off to Canada and mated with a wolf." Francesca Bell, "Bursting with abundance and beauty... This is a book of dualities, of not odes but laments..." Abbie Copeland, "A rich poetic narrative, the sensual and delicate moments of life, as well as the small but profound details of hunger, desire, and connection..." Nina Murray, "I would call At Home with Disquiet a triumph—however, this poetry grants no illusion(s)..." Contact erinwrites44[at]gmail[dot]com

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