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The Munster Lit Centre has posted its winners for its Fool for Poetry Chapbook Competition. So pleased to have my chap highly commended.  This chapbook is a dear one.
 
Thanks to all the folks at Prairie Fire for giving my bittersweet poem "A Walking Prayer" a place to live. Extra thanks to Lindsey Childs for sharing a reading of it on Facebook.
 
Deeply pleased to appear in the latest issue of Grain, the last for editor Mari-Lou Rowley. Gratitude for including my poem "A Snow Burial." 
 
The latest North Dakota Quarterly just arrived! Thank you to Bill Caraher for publishing three of my poems.

What an aesthetic treat, the level of quality the art journal Superpresent offers. So pleased to have two photos and a poem, "Body," published in the Winter Issue. Thanks to Kevin Clement.

Thanks again to Dave Mehler for putting together another great issue of Triggerfish Critical Review, filled with eclectic writing and interesting reviews. I've three poems in this issue, about my mother.
 
Ron Slate of On the Seawall has done me the honour of nominating one of my poems for Best of the Net. News like this never arrives without its waves of gratitude and wonder.
 
My copy of Potomac Review arrived! Big thanks to Monica Mische for publishing my poem "Becoming the Silence of Foxes."

                                                                                    Six Persimmons, 13th Century, by Miqu


Thanks to the team at Riddle Fence for publishing my poem "Still Life with Six Persimmons." And wow, they chose to feature it on their first digital issue! Thank you!
 
Kaden Florsheim of West Trade Review recently asked me about the motivation for my poem "The Last Blue Heron" which appears in this summer's issue. I'm so grateful for this opportunity. If you'd like to listen, here.
 
Praise for At Home with Disquiet: Brian Brett, "Erin Wilson’s collection has the range that a dynamic assortment of poems demands in this era. At Home With Disquiet flows like a northern river through the woods and the canyons and homes along the riverbank, its poems like stories, its poems like chants. This is one of the most powerful gathering of poems I’ve read in years..." Roger Mitchell, "Compelling, urgent, lean, Erin Wilson's poems read as though Emily Dickinson's secret love child ran off to Canada and mated with a wolf." Francesca Bell, "Bursting with abundance and beauty... This is a book of dualities, of not odes but laments..." Abbie Copeland, "A rich poetic narrative, the sensual and delicate moments of life, as well as the small but profound details of hunger, desire, and connection..." Nina Murray, "I would call At Home with Disquiet a triumph—however, this poetry grants no illusion(s)..." Contact erinwrites44[at]gmail[dot]com

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