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I love being a part of the journal One. Many thanks to Richard Krawiec for accepting my poem "If There Is a Field."
 
Gratitude to editor Drew McEwan of The Ex-Puritan for publishing my poem "What to Wear, The Black or the Yellow."
 
Many thanks to Erin Bedford of Pinhole Poetry for publishing a poem and posting an interview. I always appreciate these little windows into other writers' lives.
 
Received my copy of The Literary Review of Canada today! Gratitude to Moira MacDougall for publishing my poem "New Year's Eve on the Swamp," and more thanks to LRC's David Venn for asking for more poetry. "Wealth and Morality, AKA the Good Stuff" will soon be featured in Bookworm.
 
Great thanks to Bear for placing my poem "Small Potatoes" on Verse Daily. 
 
What a surprise! Deep thanks to Philip Fried for including three of my poems in The Manhattan Review, "Small Potatoes," Small Talk," and "The Apogee of Pencils." 
 
Many thanks to Nano Taggart (who writes, "This issue is incredible. It's one of my three or four favorite issues in the fifteen years we've been doing this.") and fellow editors at Sugar House Review for accepting my poem "The Christ of Deer and Dishwashers and Baristas."

Thank you to Humphrey Astley of The Crank for hearing my little poem, "Little Manifesto."
 
Thanks to James Carson for selecting my poem "Ode to Joy" for the winter issue of Queen's Quarterly.
 
Special thanks to Luke Whisnant for including my two poems, "Students," and "Considering the Homonyms Prey and Pray," in his last issue as editor of Tar River.  So grateful to be in such fine company.

Thanks to Cassia, Aisling, and Emily, for publishing my poem "The Understory in Autumn" in Channel's Issue 11. And thanks for all the extra effort that goes into video launching the magazine!

                                                                                 


(photo by me, as seen in Channel Magazine launch)

Praise for At Home with Disquiet: Brian Brett, "Erin Wilson’s collection has the range that a dynamic assortment of poems demands in this era. At Home With Disquiet flows like a northern river through the woods and the canyons and homes along the riverbank, its poems like stories, its poems like chants. This is one of the most powerful gathering of poems I’ve read in years..." Roger Mitchell, "Compelling, urgent, lean, Erin Wilson's poems read as though Emily Dickinson's secret love child ran off to Canada and mated with a wolf." Francesca Bell, "Bursting with abundance and beauty... This is a book of dualities, of not odes but laments..." Abbie Copeland, "A rich poetic narrative, the sensual and delicate moments of life, as well as the small but profound details of hunger, desire, and connection..." Nina Murray, "I would call At Home with Disquiet a triumph—however, this poetry grants no illusion(s)..." Contact erinwrites44[at]gmail[dot]com

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